Monday, September 1, 2014

Book Review: Me, Myself and Bob

Back in the day I used to do some writing for the website Suite101. That place is long gone now but my writing remains.

I mostly did book and film reviews and I'm still proud of a couple of them. Let's take a look:

Me, Myself, and Bob - The Rise and Fall of Big Idea

Starting a successful business is a dream for many Americans and countless numbers have worked tirelessly day and night to one day become CEOs of respected companies. For Phil Vischer, that dream came true with the his popular computer animated video series, VeggieTales, and the creation of his company, Big Idea. But nobody told Vischer how hard it would be to maintain that success, and in his fascinating, candid book, "Me, Myself, & Bob: A True Story About Dreams, God, and Talking Vegetables," he details the incredible rise of Big Idea and its spectacular fall. For Vischer it was hard watching his dream die, but he believes this book will help his fellow dreamers understand the perils of success.

"Me, Myself, & Bob" begins by charting the early of life of Phil Vischer, including his home life in Muscatine, Iowa, his strong Christian upbringing and his early fascination with movies. That interest in film, particularly special effects, led him take a career in computers and computer animation. From his deep belief in the importance of religious morality and love of filmmaking came VeggieTales, an animated video series teaching children religious lessons in an entertaining and meaningful way.

The early sections of the book are some of Vischer’s best as he does a terrific job documenting the trials and tribulations of an independent animator struggling not only to find work, but to support his wife and child as well. Of particular interest is the story of the first VeggieTales episode, which Vischer and his tiny crew slaved away over despite the primitiveness of early 1990s computer animation. At the time Pixar Animation Studios was only producing short films, making Big Idea an unheralded trailblazer in long-form animated production.

From here Vischer discusses the growth of VeggieTales as a franchise and the blossoming of Big Idea into a huge company dominated by infighting and instability. "Me, Myself, & Bob" is at its most compelling in these sections as Vischer exposes nearly every problem that plagued Big Idea, from executives who refused to discuss business plans with Vischer, to animators arguing over religious beliefs, and to a swelling of bureaucracy despite no noticeable increase in profits. Vischer’s candidness is astonishing as he is more than willing to lay the blame on himself for many of the company’s problems. The end of the book is particularly tragic as Vischer lays off his former friends and employees, and watches the company he built die a slow death through lawsuits and bankruptcy sales. How can one dream go so wrong?

Without a doubt the behind-the-scenes stories Vischer tells are the highlight of the book and any aspiring artist or business person will find Vischer’s stories informative and valuable. A later chapter even includes what Vischer considers the most important lessons he learned from the experience, which should be pasted in the office of any small-business owner. Vischer’s spirit is also quite a thing to witness as he suffers many hardships but always manages to pick himself up. For anyone who has struggled in his or her career Vischer is a model of stick-to-itiveness.

This review should mention that Vischer himself is a committed Christain, and the book itself is targeted towards a Christian audience, but "Me, Myself, and Bob" transcends its origins as a study in faith and becomes in essence a story about ambition and ego. Vischer expands the company as much as he did because he wanted to become the Christian Disney. The concept of a global company creating trusted religious entertainment was the driving force for many of Vischer’s decisions, but he lacked the knowhow to actually do it. So Vischer hired a number of executives who seemed unclear of his mission and did not have experience in the entertainment industry. Those actions laid the seeds for Big Idea’s eventual destruction.

Vischer believed he had a calling from God to create a media empire, but the religious aspect was incidental. What Vischer wanted to be was the next Walt Disney, but Disney himself never set out to become an industry giant. Disney was driven by a passion for new ideas and innovation in entertainment, while Vischer, in the later years of Big Idea, seemed more interested in the corporate aspect. Big Idea could have become as a big a force as the Walt Disney Company, but as the book demonstrates, it needed a leader who wanted to follow his own path, not follow in another’s footsteps. When Big Idea decided to expand beyond its ability to manage the company began to die. Vischer may have had a dream, and a noble one at that, but his ambitions exceeded his ability and knowledge. A tragic tale most certainly, but a valuable one as well, and Vischer has told it the best way he can.

Saturday, August 9, 2014

Movie Review: Bye Bye Birdie

Back in the day I used to do some writing for the website Suite101. That place is long gone now but my writing remains.

I mostly did book and film reviews and I'm still proud of a couple of them. Let's take a look:

Bye Bye Birdie- Teenage Angst, Ann-Margret Style

There's no doubt about it, "Bye Bye Birdie (1963)" is a very dated movie. The script is corny, the jokes are labored and it expects us to believe that Paul Lynde could ever father a child. But "Bye Bye Birdie" has still managed to remain a classic, and that is because of Ann-Margret's remarkable performance as a teenage girl desperate to become a woman.

"Bye Bye Birdie," an adaptation of the hit Broadway musical of the same name, begins with the drafting of Conrad Birdie (Jesse Pearson), an Elvis Presley type, into the army. A struggling songwriter, Albert Patterson (Dick Van Dye), and his girlfriend, Rosie Deleon (Janet Leigh), cook up a scheme to have Birdie appear on "The Ed Sullivan Show" just before he leaves and perform a song Albert wrote, "One Last Kiss," while kissing a randomly-selected, adoring fan. Perfect! What could go wrong?

Albert, Rosie, and Birdie's entourage arrive in the town of Sweet Apple, Ohio to meet the lucky fan, Kim McAfee (Ann-Margret), who is thrilled beyond words to receive a kiss from Birdie, and her boyfriend, Hugo (Bobby Rydell), who isn't as thrilled as she is. Later, at a rehearsal for the show, Birdie kisses Kim, causing her to faint, and igniting Hugo's anger. Kim insists the staged kiss means nothing, but does it? Will Birdie come between the two high school sweethearts?

Bye Bye Childhood

As you can see from the brief synopsis, "Bye Bye Birdie" has a ridiculous premise. And that's not even taking into account Janet Leigh's dance number with the Shriners, or the painfully unfunny jabs at Soviet-era Russians. But despite all of that, "Bye Bye Birdie" is still a fondly remembered movie, and its constant revivals on Broadway indicate that its appeal hasn't waned. This enduring popularity can be traced back to Ann-Margret's character, Kim, whose arc, or character growth throughout the story, is the real center of the film.

In her opening musical number, “How Lovely to be a Woman,” Kim sings about her blossoming from an awkward fifteen-year-old girl to a mature and confident sixteen-year-old woman. Throughout the song she continually celebrates what's changed about her and all the things she can't wait to do. The song, and indeed her character arc in the film, is about one teenager's eager sexual maturity from a child to an adult. Kim begins the film ready to take the plunge into womanhood. The arrival of Conrad Birdie into town, and the jealousy of her boyfriend, gives her license to test out her new-found sexual desires.

Kim and Hugo's spat is essentially about this issue; Hugo can't accept Kim's burgeoning womanhood, and she's not going to wait for him to get it. The song "A Lot of Livin’ to Do" is a perfect example. Kim's section in the number is drenched with pure, sexual longing, as she so wants to be perceived as a woman by her boyfriend and by everyone at the club, and her flirtation with the men demonstrates what she perceives to be sexual maturity.

 Growing Up is Hard to Do

Unfortunately for Kim, Birdie is something with a cad, and she later reunites with Hugo, wiser and with a new sense of real maturity. The best evidence of this are the film's opening book ends. In the opening, Kim sings "'Bye Bye Birdie" in a shrill, excitable manner. She is all energy and passion, and desperately wishes she could help Birdie say goodbye. But in the ending reprise, Kim gladly says goodbye and good riddance, and her voice is much more confident and mature. Birdie's no longer important to her identity as a young woman.

This character arc, Kim's growth from an eager girl to a mature young adult, is why the film version of "Bye Bye Birdie" still resonates after all these years. Ann-Margret plays Kim with such sincerity and honesty that it genuinely takes the viewer by surprise. All the corny show-biz jokes and cliches are almost a perfect counterpoint to Kim's story. That's not to say Kim's arc is a shockingly realistic take on teenage sexual development (most people aren't lucky enough to meet a pop star when they're young) but it feels right. Ann-Margret's performance captures that confusion that marks young teenagers’ lives, (they’re not children but not quite adults yet, either), and skillfully plays it for both laughs and drama.

There are many other elements to Bye Bye Birdie, from the music, to the script, to the choreography, but Ann-Margret’s character and performance remain the film’s heart and soul, and the reason why the film still remains a classic.

Tuesday, October 8, 2013

More Comics I Created Just For You, My Friend

Hey folks. I'm still doing comics for Grey Unicorn and I'm still having a great time. Here are some more!

Modern Conversation


Read it here

A Sacred Duty


Read it here

What's The Score?


Read it here

Never Mind the Mind


Read it here

Tuesday, September 24, 2013

"China, IL" JR Character Design Test

After I completed the Storyboard Test for "China, IL" I was offered the opportunity to take the JR Character Design Test. I, not being an idiot, gladly took it.

I was first given this original sketch by Brad Neely:


I was then told to create a full body turnaround along with a special pose that highlighted his character.

This is what I did:

I then was asked to create a turnaround for this character's head:

And there you go. Didn't get the job but I had a great time. I learned a lot about designing characters and it really made me appreciated the genius of Brad Neely's style.

Thanks to Joshua Rogers and Dave Newberg for offering me the test.

"China, IL" Storyboard Test

Since season two of the hit Adult Swim show, "China, IL" has started airing, I figure it's time to reveal my Storyboard and Character Design tests I took for the show over a year ago.

Storyboard Test

There were three parts to the Storyboard Test. The first was the Thumbnail. I was given a short piece of a script and told to thumbnail as much as I could. Here it is:


Next came the Rough Storyboard Panels, where I was asked to create around 20 or so rough storyboard panels.


And finally we have the Cleaned-Up Storyboard Panels, which should be self-explanatory.

China, IL Storyboard Test - Cleaned-Up Panels by ryanrosendal


I won't lie, it was a difficult test. The characters were harder to draw than they initially seemed and there wasn't much action so I really had to focus on believable acting. I didn't get the job obviously, but it was a very worthwhile experience. I learned quite a bit from doing it and if Titmouse is reading this, I just want them to know I'd love to test again!

Special thanks to Corey Barnes for posting about the position on Twitter and Joshua Rogers and Dave Newberg for offering me the test. And Brad Neely for creating the show.

Friday, August 2, 2013

Grey Unicorn's Are Real

The nice folks at Grey Unicorn have been letting me do some comic strips for their website. I'm having a great time putting them together and I really like the way they've been turning out. Here's the first few:

It's A Conspiracy!


Read it here

Yawn of the Dead


Read it here

This Isn't Your Life


Read it here

Thanks to Christopher Fernando, Rebecca Swanson, Dave Conte and Taylor Freischer for all their help.

Thursday, February 21, 2013